Lymington repointing, in lime where lime belongs

Joints raked by hand, a mix matched to the wall it is going into, and the consent position sorted before a listed frontage is opened.

The site visit is free and so is the written itemised quote. Thomas Hannen prices every job himself.

Which mortar belongs on a Lymington wall is settled by where in the town you are standing. The old streets running down to the river are solid wall built in lime and carry most of the town's 160 listed entries, so there the mix and the joint profile are matters of consent rather than preference. Away from them the town is post-war cavity brickwork, where a gauged cement mortar is right.

The calls divide much the same way. Somebody with a period frontage who has been told the pointing is wrong and does not know what right would look like. Somebody with an eighties house with penetrating damp upstairs and a stack shedding grit, its joints gone friable. And leaseholders with a shared elevation where the pointing has gone loose and crumbling along the weather side.

We treat all three the same way. Every elevation gets looked at, not the one you rang about. Joints get scraped at two heights and tapped along a course for the hollow note that says the pointing has parted from the brick, and everything gets photographed. What comes back is a written itemised quote, elevation by elevation, and where the building is listed it says what has to happen before anybody opens a joint. The visit and the quote are free.

The work

The mortar jobs we get called to across the town

Repointing a brick wall by hand, mortar being struck into a raked-out joint
Struck by handOne joint at a time, filled and struck so the face sheds water.

Lime pointing on the old streets. Roughly one home in fourteen here predates 1919, concentrated rather than scattered: the streets behind the quay and either side of the High Street. Those walls are solid, with no cavity, and shed water only by letting it evaporate back out through the joint. We rake by hand to twice the joint width, keep the angle grinder in the van, and point back in an NHL lime or lime putty mix gauged to the original sand, damped down before filling and brushed back once it has taken up. The profile matters as much as the mix on a frontage the whole street sees, and at that age it is usually flush or slightly recessed rather than weather struck, so we agree it and photograph the existing joint first.

Taking off cement that should never have gone on. Plenty of the old stock was repointed in sand and cement between the sixties and the nineties. A solid wall of that period has to stay breathable, and a hard joint on a soft handmade brick traps water, so it leaves through the brick face instead. If your joints look sharp and your bricks look eaten, that is what has happened, and there is published work on why in the research on lime and cement in traditional mortars. Removing it is hand work, joint by joint, priced as its own line.

Post-war and eighties brickwork, which is most of the town. Close to half the housing here went up between 1945 and 1982, the busiest decade being the eighties. That is cavity construction: one skin of fired brick outside, struck weather or bucket handle, in a cement and sand mortar. The joint pits and opens at the arris rather than washing out, and once water stands in it a hard frost lifts the face off the brick. We match the sand and the gauge, not just the colour, and put a trial panel up for you to judge in daylight.

Communal elevations on flats and terraces. About one home in seven here is a flat and better than a fifth are terraced, so a lot of the brickwork we look at is shared. Where a face has spalled the brick is cut out and replaced against a sample held on the wall. We price communal work for freeholders, management companies and residents' associations as readily as for a single owner: parapets, the panels between windows, shared stacks and the corners taking weather off the water. Major works on a lease are usually subject to consultation under section 20 of the Landlord and Tenant Act 1985.

How it runs

From your call to a written price

Raked-out joints on a red brick pier being filled with fresh mortar
Raked back firstDepth before filling. A disc widens the joint and takes the arris off.

Same team from first visit to last, one person to ring, and no sub-contracting. The quote is itemised: access, raking out, the mortar mix, the area of each elevation, brick replacement and disposal on separate lines, so you can compare it against anyone else's.

Nothing is left open overnight, the site is swept at the end of each day rather than the end of the job, and what comes out leaves with us. Anything nobody could have foreseen gets a photograph and a price before we carry on.

Repointing like for like is repair rather than development, so no planning application is involved and nothing for building control to sign off. Two things are worth having straight. The planning authority here is New Forest District Council and not the National Park Authority, because the town sits outside the Park boundary. And listing, of which there is a great deal here, changes the order of work, as set out below.

Cost

What decides the price of a repointing job

Brick corner with a moulded plinth course, mortar matched to the original work
Matched, not guessedColour, sand and joint profile picked up from what is already there.

No rate per square metre, because the square metres tell you almost nothing until somebody has looked at the joints.

Getting to it. A three storey house on the High Street with the pavement hard against it, a post-war semi with a gable you can reach off a tower and a low wall along a plot are three different set ups. How long the platform stands matters as much as how big it is, and the work at height rules are why access is a priced line rather than one absorbed into a rate.

The joints decide it, not the wall. Raking out by hand is slow, and on soft brick the only safe way. How deep the joints come back, and whether the faces have already spalled, sets the hours far more than the area does.

Matching is the part that shows. Too strong a mix is the classic mistake: cement holds water against a soft brick and the face blows off in the first hard frost. Lime is slower to work and to cure, and it is the right answer on most pre-1919 walls.

If water is getting in

Open joints, and water coming through the wall

Stone gable with the joints repointed in a lime mortar
Stone wants limeOn rubble stone the mortar is most of the surface, and it has to breathe.

Ring rather than use the form. A wall with the joints washed out lets driven rain through to the inside face, and on a chimney it finds the flashings too. We come and look, sheet or temporarily point the worst of it, and price the elevation once it has dried enough to see what is sound. Here that is usually a south west facing gable or an elevation looking down the river, and on a listed frontage we sheet and make safe rather than point anything permanent until the consent position is clear. The phone is answered 24 hours for emergencies; scheduled work runs Monday to Friday, 8am to 6pm.

Call now: 07435 839745

Worth knowing

A hundred and sixty listed entries, and what that does to a bag of mortar

Lymington carries around 160 listed entries, a lot for a town this size, and they run in stretches rather than singly, along whole frontages on the older streets. That matters for repointing more than for most trades, because listing protects the fabric and not just the shape, and the mortar is fabric. Under works that affect the character of a listed building need consent, changing the colour of a joint, its profile or the composition of the mix can need consent in its own right, and doing it without listed building consent is an offence rather than a paperwork slip. Listing can extend to structures in a building's curtilage, so a boundary wall can be caught even when the house is the thing on the list.

In practice that changes the order of work, not the work itself. Before anything comes out of a listed frontage we establish what is listed, agree a mortar specification, and make up a sample panel on a discreet part of the wall that the conservation officer and you can both look at. Consent takes time, so it goes at the front of the programme, and the start date on a listed job depends on the council rather than on us. New Forest District Council holds both the listed building records and the conservation area designations, so one check settles both, and we do it before we price the work.

Who you are dealing with

A local firm you can check

We cover Lymington, Pennington, Boldre, Everton, Milford on Sea and across towards New Milton, broadly SO41, under New Forest District Council. You are dealing with Bournemouth Roofing & Building, the trading name of Bournemouth Roofing & Building Ltd, registered in England and Wales, company number 15471719. Thomas Hannen's business, and he is the one who comes out to price the job, not a salesman. A verified customer's 10 out of 10 on Checkatrade. The visit and the written quote are both free.

Questions

Lymington questions we get asked

Our house is listed. Can you simply match the mortar that is on it now?

Only if what is on it now is right. A lot of listed frontages here were pointed in cement at some stage, and matching that would repeat the mistake. We take a sample of the sound original from somewhere sheltered, work out the sand and the gauge, and put the specification and a sample panel to the conservation officer.

Is Lymington inside the New Forest National Park?

The town sits outside the Park boundary, so planning here is dealt with by New Forest District Council. Some parishes immediately north and west are inside it and go to the National Park Authority instead. For repointing it matters only when the appearance of a building changes.

Do you take the old pointing right out, or point over what is there?

Right out. Skimming fresh mortar over a failed joint gives you a thin skin with nothing behind it, and it falls off in sheets within a couple of years. Joints come back to twice their width, deeper where the decay has gone further, and the depth is checked as we go.

Can you match mortar on a terrace where every house has been done differently?

Usually, and the sample comes off your section rather than the street. We look for original mortar in a sheltered spot, under a sill or behind a downpipe, and work from that. A trial panel goes up first so you can judge colour and texture in daylight, remembering that fresh mortar reads lighter.

How long before new lime pointing is safe from rain?

Longer than most people expect. Lime gains strength slowly, by taking up carbon dioxide from the air, so it wants to stay damp but not wet while it does. We keep the scaffold sheeted and the joints shaded, and work to the weather rather than the diary.

Free quote

Have the elevations surveyed and priced in writing

Thomas comes out, tests the joints, photographs every face and sends an itemised quote that says what is due now and what would wait. Free.